‘DIE ON EVERY HILL’, the debut album from sonic-shapehifter, TwoLips (aka Kianah LongChase) is a darkwave, electro-goth epoch of resistance. Weaponized clarity and cult-like rage mark a new era for the multi-disciplinary artist, frontwoman and narrator. She stands at the intersection of punk, rap, rave, and metal genres, oscillating between playful sonnets, distress signals, and anthemic bangers. TwoLips hasn’t just made an album, she’s staged a confrontation.
Rooted in LA and the American Southwest, TwoLips takes us on a journey, energetically and physically, with a project that is restless and expansive. Industrial textures grind against punk urgency, while bursts of rap, opera, and percussion thread through the chaos like ghosts refusing to be erased. There’s a deliberate friction in everything — distortion that never fully resolves, melodies that feel half-buried, and silences that land heavier than the loudest moments. The production mirrors the album’s thesis: conflict isn’t a flaw, it’s the environment.
Themes of lineage, cultural erasure, resistance fatigue, and survival run through nearly every track, but they’re delivered with sharp wit and flashes of dark humor that keep the record from collapsing under its own weight. TwoLips understands pacing as emotional architecture, when to overwhelm, when to withhold, when to let the listener sit in discomfort long enough to feel implicated. TwoLips isn’t asking for agreement. They’re demanding presence and awareness. It’s the sound of standing your ground, even when the ground keeps shifting beneath you. Out now on Final Girl Records.
Purchase Cassette: TwoLips – DIE ON EVERY HILL
Joyful Union Cassette Resource 